Showing posts with label book cover design. Show all posts
Showing posts with label book cover design. Show all posts

Wednesday, April 20, 2011

Pluralistic Design: A Collaborative Effort

Fairly recently, the New York Times published an article on authors and how much influence they have when it comes to the designing their books' covers. Although the cover may suit the book's content really well, the reality is: not much. Many authors have their own website or blog to promote their books, and it often sounds like they have very little or no control at all. In "Cover Stories," which was published on August 10, 2008, Steven Heller says of authors and the degree of control they possess over the appearance of their books:
Most authors have no control over their book covers. The designs are chosen by an art director and approved by a committee; usually the author doesn't even see the cover until the process is completed. But some writers, by virtue of either their renown or contractual caveat, not only get to accept or reject designs, but also choose the designer. Although rare, prolonged designer/author relationships contribute personality to an author's books, even when the individual designs are decidedly different. The following are three cases of enduring chemistry. 


The discussed authors and designers include Milton Glaser + Philip Roth, Rodrigo Corral + Chuck Palahniuk, and John Gall + Haruki Murakami. Maybe it was because I had just finished defining key terms, but when I saw John Gall's cover designs for Murakami's novels, I was immediately reminded of the global presence of design, and of learning about Japan's emergence as a design-oriented nation in particular.


"Cover Stories," An Essay by Steven Heller


Words To Include In Normal Conversation

So far, my favorite is Bandersnatch.The most recent remake of Alice in Wonderland, directed in 2010 by Tim Burton, includes creatures that did not get to make an appearance in Disney's animated version of Alice in Wonderland created in 1951. For example, take the Jabberwocky: it is a creature that appears in Tim Burton's 2010 movie and is actually based on one of Lewis Carroll's nonsense poems.


Recently I came across this book design for Lewis Carroll's poem, which is often referred to as "Jabberwocky": 

Book design by Raphael Urwiller

 I was really attracted to the color scheme used for this design, it reminded me of the bright colors used in poster designs (I can't remember the exact name of the poster, but I will update this post as soon as I find out.  Although I don't know the name, I did some research and found this painting by Lester Beall using a similar color scheme.)

Monday, April 4, 2011

Fuuuturist Pattern Poetry

The picture you see below is the book cover designed by gray318 for The Mayor's Tongue, a novel written by Nathaniel Rich
The Mayor’s Tongue begins when two guys who work for a moving company in New York form an unlikely friendship...Alvaro speaks only Cibaeño, “virtually incomprehensible to natives of the other Spanish-speaking countries in the Caribbean”; Eugene speaks English and Italian. The friends are unable to communicate, and yet they converse feelingly, or at least they think they do. Alvaro is writing a novel that he asks Eugene to translate, and Eugene believes that he is able to capture the essence of the story, even without knowing the language. 


I really enjoyed following the words across the cover; I think it goes well with the subject of communication that appears in The Mayor's Tongue. When I first saw the cover design, its animated quality reminded me of Filippo Marinetti's pattern poetry in his Les mots en liberté futuristes (Futurist Words-in-Freedom) of 1919:


On a side note, this is also a great book whose cover text takes the shape of a hand: 

It's Jonathan Safran Foer's Extremely Loud and Incredibly Close.

Sunday, April 3, 2011